Cross Rhyhtms February 16, 2014
2-CD Deluxe Edition
By Stephen Luff
As any longtime follower of Christian music will know, Daniel Amos were a seminal band who in the '80s particularly took Christian rock into uncharted territory. This album from 1977 was the transition between the country of their self-titled debut album and the Beatles-esque rock of 'Horrendous Disc' a year later. There are influences aplenty here including Queen and Pink Floyd mixed with vocal Eagles style harmonies (just listen to the title track and "Posse In The Sky") which would feature in similar bands of the time such as the Sweet Comfort Band. Outstanding tracks include "Praise Song" with its encouraging lyrics and the humorous, country track "Meal". There are instances of rock opera such as "Finale:Bereshith Overture" and "The Whistler" which both take you by surprise the first time you hear them. The transfer quality is remarkably good given the age of the original recordings with only tape hiss noticeable.
Disc two contains 26 tracks including demos and alternative mixes. One track "Jonah And The Whale" is new, but it is not up to the quality of the songs elsewhere - you can see why it never made it to the final album. This, although interesting, does not offer long time listening enjoyment especially as songs are repeated with slight differences, although the studio chat is interesting. Overall an enjoyable album though probably only hardcore Daniel Amos/Terry Scott Taylor completists will get much from disc two.
CCM Magazine June 1988
"The Best Contemporary Christian Albums of All Time"
(Selected by the CCM Magazine staff)
"Hats off to the band!" hails Baker. Jonathan David Brown (now with Twila Paris!) produced this early Daniel Amos, uh, DA, uh Da project. "This album from DA's Eagles period was an artist triumph," Rabey says. Somewhere between country and new wave, the guys came up with a winner in Angel
. Pinzon elaborates, "Most bands lose fans during the transitional period; it is a tribute to DA's talent that their transitional album is still their most popular." Side two's musical vision of the end times is a seamless masterpiece. "Father's Arms" and "Days and Nights" are standout cuts too.
Syndicate December 1990
4 points out of 5
By Brian Q. Newcomb
It's way past time for all of DA's albums to hit the
street on compact disc, and slowly but surely (actually,
all of a sudden) that's happening. Shotgun Angel
the band's second vinyl confession finds Terry Taylor,
Ed McTaggart, Jerry. Chamberlain and Co. laying the
groundwork for all that was to come. It's not quite
a rock 'n' roll album, but it has Beatles and country
rock influences, strong melodies, some very. promising
writing and enough silly stuff to warrant both excitement
and dread. Somebody please tell me why
they recorded "Meal," and Taylor has written other
beautiful songs, but "Father's Arms" is clearly a
Of course the second side of the album takes a
rather obnoxious pre-millennial dispensational look
at the book of Revelation, something I learned in
seminary is probably an inadequate approach. Since,
I've become a pan-millennialist; the foundational
tenets being that the future is in God's hands, Jesus
is coming back, We know not the day or the hour and
it'll all pan out in. the end. DA presents its own pop
opera on the end times, and for the most part it'll
be acceptable to all kinds of Christian perspectives.
Certainly "Sail Me Away" and "Posse In the Sky" are
fabulous songs with engaging imagery.
The tracks convert to digital very nicely, although
my vinyl copy has sounded pretty bad for years. It's
exciting to have this classic back in a format that will
last until Jesus' return. - Brian Q. Newcomb
"Not until now have we seen an album that is as versatile, professional, or as serious musically as is Daniel Amos' 'Shotgun Angel'."
"'Shotgun Angel' should inspire other musicians to break some of the molds they've cast themselves in."
"This record is a flat-out winner. Brilliant."
"'Shotgun Angel' is truly an offering of excellence to the Lord."
BUZZ magazine (Eng.)